

Quick sketch, working with silhouettes and simple shapes along with a limited palette. Almost done with the aardeater illustration, which will be up soon. I’m repainting parts since I think they fuzzed out a bit when I was working on other parts.
Revamped the pie sketch into an actual illustration, which was the original intention but @m0_ni definitely helped push it further. So shout out to him for bringing it up! I’m not sure if I like the tongue coming out, or if I want to axe it all together. I kept hiding the layer on and off trying to figure out which I liked more. I did have a lot of fun playing with the colors and lighting as usual. Now I’m off to work on more hairy pieces.
EDIT: Also, I had thought about doing a more up close shot of the anteater looming over the pie a little, but decided I wanted a larger composition. I think. I keep going back and forth between the two. Another thing I’d like to point out, is I merged the aardvark and anteater a little. I just like the bat ears on the aardvark too much.
WIP - More to come tomorrow (hopefully), I’m trying to layer in subtle hints to her as a character in the background. For now I need to go to bed, and pray that this migraine goes away. Let me know what you think, or any ideas you might have.
A warm up sketch that I did the other night, but I decided to add ants to it to make it more interesting. But not just any ants. these ants think this pie is a god. Naturally this is due to craving pie, thinking about summer picnics, and watching too much Indiana Jones. I’ve got more done on my hair illustration, but I’m hoping to do a little more work on it tonight before I post it a second time. The background is about a quarter done on it.
For now, enjoy my obsession with pie. :)
We need to talk, guys and gals. I don’t feel I’ve adequately explained myself and why I am changing things in my work and researching. It’s been on my mind constantly since I started blogging my work fairly regularly. So, those of you that are interested, you can take the time to read this and delve a little deeper into my thought process.
I don’t think I’ve really been trying to create or evolve my “style”, but rather change how I finish things to make me happy aesthetically. In previous posts or blogs I haven’t explained myself well. Knowing from experience when others would tell me they were doing the same, I always thought it was silly. Your style should become a part of you; a symbol of you as a person. I do think everyone and everything you absorb as an artist will influence you in some form or another so there is no escaping that. For example: Caravaggio has always been a large influence on me. I can’t help it, his paintings are amazing and I love his use of light. Everyone is influenced by someone or something, or several of both.
If we want to get down to basics, I’d like a balance of clean pencil lines, not the harsh crisp ones I’ve got so far or the really rough ones I’ve adopted in the past. I feel as an artist I want both the digital I’ve grown used to, but not the lack of emotion it comes with. I know, I know, I should do both digital and analog work. That is one way to fix it, and I do plan on doing more analog for the simple reason that I need practice and I’ve had people asking me to sell. While that’s all well and good, I’m completely for it in fact. I’d like to marry both in order to truly be happy; because lets face it. I’m a nerd. I enjoy my digital work far too much to discontinue doing it as my main form of expression. Whether it’s because I love the idea of the tech side of it, or that it gives me a sense of freedom. Either way the blank page stigma vanishes for me when I’m working on a digital canvas. I’m sure if any of you are creatives you’ll know what I am talking about. Working analog is beautiful though, and the tactile nature of it is incredibly satisfying. Admittedly I love working on murals. If that could be a full time job I’d take it in a heart beat. There is something about the feeling of a physical brush moving across a canvas, piece of wood or wall that just does something for me. You can feel the grain of whatever you are painting with each stroke, becoming a form of rhythm in a piece of music. Perhaps that sounds a little too “artsy” of me, but creating is almost a form of magic when you watch it happening. Look up a time lapse of anything and you’ll know what I mean.
Color is also a thing I’ve always been strong with, or so I’ve heard. I’m happy with my color choices but not so happy with how I express it on the page. I used to paint very rough with a lot of movement. Finding a balance that makes me happy with the brush strokes I use, but not so much as it looks like a full scale painting would be important. I’m guessing it’s going to come down to adding in textures into my digital pieces.
I just need to find “me” in my work. I don’t think one should “look” for a style so to speak, it generally comes naturally. Though I do think in my time during college I’ve become too “stagnant” or comfortable in how I do things. I definitely need to mix it up a bit and find a way to make my work more interesting, and unique. Pushing yourself as an artist is important, and not doing so makes things quickly get old. So not striving to do that myself would be foolish on my own part. I’d lack any growth and what I create won’t establish who I am as an individual. I want to show you all how I see the world.
This isn’t finished by any means, but I’m working on it and still have the background left to do. Her coloring will likely change as well to accomodate the background colors. I see her with a LOT of hair brushes. I’ve also been trying to find how I want my style to evolve and testing things out. Also adding imperfections to my people to make them feel real, and relatable. Since obviously no one is perfect. In the mean time let me know what you think?
“The arts are not a way of making a living. They are a very human way of making life more bearable. Practicing an art, no matter how well or badly, is a way to make your soul grow, for heaven’s sake. Sing in the shower. Dance to the radio. Tell stories. Write a poem to a friend, even a lousy poem. Do it as well as you possibly can. You will get an enormous reward. You will have created something.”—
Kurt Vonnegut, A Man Without a Country, 2005 (via tulletulle)
I think you can also make a living with the arts, but the idea that it helps us grow into ourselves I strongly believe.
GASP! Is that an analog sketch I see? I just joined a Flickr group created by Wardomatic on Twitter about 30 minutes ago. It’s going to be a sketch group that everyone can post a response to a given topic. For my own sketches I plan to try to do them analog since I need to get back into that, and limit my time frame to 30 mins to each.
If you’d like to join head on over here!
I don’t remember who asked me to do this for fun, I know it was someone on Twitter. (If you’re reading this and it was you let me know here or on Twitter) But you asked me a while back and I never got around to it, but I was thinking about it randomly today so I did it. So to the person who asked for it, even if it was a joke. Here it is!
EDIT: Just so you all know, this is not the illustration I was referring to in the last post.
Surprisingly drawing a panda with a chainsaw is harder than I anticipated. Also if anyone feels like requesting me to draw something as a doodle or if there is something you’d like to see, feel free to ask! Just dont expect it to be a full out illustration. It’ll likely be a doodle. So, would you like to see something?
Just messing with things and trying to do things differently. So I decided to sketch before bed while watching Pushing Daisies and these are the only two that I feel ended up being half way decent. I think Chuck (the girl) ended up looking a lot like Kim Possible or an old Lois Lane doodle.
Also! I’m working on a illustration but it’s not finished yet. I also have not forgotten about my “Clearance” series but there are reasons I can’t post them yet. I do have a new one done, and I’ll continue to make them but the series has been publicly post poned due to some complications.